Michael L. Cooper





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JAPANESE AMERICANS IN WWII


*A Notable Children Books in Social Studies.

*Books for the Teen Age, New York Public Library.

A stirring account of Japanese Americans in World War II, based mainly on diaries, autobiographies, and the military records of the 442nd Regimental Combat Team, which was known as the Purple Heart Battalion because of its bravery. After the attack on Pearl Harbor in 1941, all people on the West Coast of Japanese heritage, whether resident aliens or citizens, were forced to move into internment camps. But 1,200 young men from the camps, along with 10,000 other GIs of Japanese heritage, became some of the most decorated soldiers in the war as part of the 442nd. Author Michel L. Cooper tells of the remarkable bravery of these Nisei soldiers, whose heroism in battles in Europe contrasted with the prejudice that Japanese Americans faced at home. Chronology, end notes, suggestions for further research, index.


Review from School Library Journal
Gr 6-10-This explanation of the unfair circumstances and incredible heroism of first- and second-generation Japanese Americans during World War II is similar in tone and format to Jerry Stanley's I Am an American (Crown, 1994). What distinguishes Cooper's effort is the more extensive, descriptive, and sometimes grisly attention given to these soldiers' contributions to the military conflict in Europe. As an example, the Japanese Americans who served in the 100th/442nd battalion became "the most highly decorated unit in U.S. military history" at a time when most of their families had been forcibly removed from their homes and businesses in Washington, Oregon, and California. Cooper begins with a strong first chapter that establishes the extent of the American prejudice against these citizens and the post-Pearl Harbor hysteria that led to the establishment of the War Relocation Authority. The author then questions why this happened and responds with solid cause and effect examples, utilizing relevant archival photographs of these "barbed wire communities." On the war front, the descriptions of individual acts of bravery in Europe are drawn from first-person accounts and other sources, and while the geography is not introduced well, the battles' objectives, actions, and results are clear.-Andrew Medlar, Chicago Public Library, IL Copyright 2001 Cahners Business Information.
 


REMEMBERING MANZANAR:
LIFE IN A JAPANESE AMERICAN RELOCATION CAMP


Carter Woodson Award for the Best Children’s Book of 2003 on ethnicity in American history; the National Council for the Social Studies.

2003 CCBC Choices List (Cooperative Children's Book Center).

A Notable Children Books in the Field of Social Studies.

Three months after the Japanese attack on Pearl Harbor on December 7, 1941, the U.S. government ordered a mass evacuation of all people of Japanese ancestry from the three West Coast states. It was the largest forced evacuation in American history. Many of those who had to leave their homes, their schools, and their friends were held at the Manzanar relocation center in eastern California. There they lived in crowded barracks, ate in noisy mess halls, and went without supplies or books for work or schooling. Drawing from the diaries, journals, memoirs, and news accounts of the people who were held behind barbed wire in the high California desert, Michael L. Cooper takes a close look at what life in the camp was like. His thoughtful examination of this shameful chapter in American history reveals the remarkable bravery and resilience of the camp's residents as they tried to lead normal lives -- playing baseball, attending Saturday night dances, and publishing their own newspaper. Archival photographs, including photos by Ansel Adams and Dorothea Lange, augment this informative, thoroughly researched book.
 

Kirkus review
The author’s visit to Manzanar, one of ten Japanese internment camps established during WWII, serves as the frame for this exploration of the forced evacuation of over 100,000 Japanese and Japanese-Americans and their lives in the relocation camp. Cooper’s (Slave Spirituals and the Jubilee Singers, not reviewed, etc.) concise prose describes how the bombing of Pearl Harbor led to the building of the camps. Later chapters detail how the prisoners struggled to adapt to surreal, humiliating conditions, slowly introducing Japanese food to the mess hall menus, gardening, playing sports, and going to school. Drawing heavily on primary-source material, including archival and contemporary interviews with internees and excerpts from the Manzanar Free Press, the text allows the prisoners to speak for themselves. Archival photographs lavishly illustrate the narrative, and one of the volume’s greatest strength is the opening discussion of the many photographers who chronicled life in the camps, from Dorothea Lange, Ansel Adams, and others brought in by the government, to Toyo Miyatake, an internee who was allowed to compose and set up his photographs but who had to have a camp staff person press the shutter. Each photograph is credited, so readers can distinguish between US government propaganda and more accurate portrayals of camp life. An end note describes the author’s sources, but there are no specific references within the text. One great weakness is the history’s abrupt end: there is no effort to document the internees’ return to life outside the camps. That said, this offering stands as a worthy addition to the literature of the internment camps; the author’s comparison of post-Pearl Harbor USto post-9/11 US underscores his passionate plea to remember. (Nonfiction. 9-14)


Publishers Weekly review
In this incisive companion to Fighting for Honor: Japanese Americans and World War II, Cooper examines life in the Manzanar relocation camp in eastern California, where more than 10,000 Japanese Americans were exiled between March 1942 and November 1945. Framing his account with chapters describing his 2001 visit to the annual Manzanar Pilgrimage, which attracts former residents and their descendants to the site, the author conveys the lasting effects of and strong sentiments still associated with the government's WWII confinement of American citizens, an act he deems "one of the most serious mistakes in our nation's history." Cooper draws from primary sources, including the records of the War Relocation Authority and microfilm copies of the Manzanar Free Press, a biweekly newspaper published in the camp, to compose a clear portrait of residents' living conditions and daily routines. The inclusion of quotes from those who lived at Manzanar gives the book a sense of immediacy as well as a sharp emotional edge. Reinforcing the bitter irony of this experience are such pointed comments as that of a then 12-year-old boy, who asks, "What's the use of studying American history when we're behind barbed wire?" Carefully selected photos (including some by Dorothea Lange and Ansel Adams) balance government-sanctioned and unofficial pictures of life in the camp. Visuals and text resolutely portray a painful chapter in America's past. Ages 9-12. (Nov.)




Japanese Americans during WWII were forced to sell businesses and homes when they were relocated. Most of them, as this sign proclaims, were loyal Americans.

Japanese Americans of all ages had to leave their homes during WWII and move to remote prison camps.

Many Japanese Americans served in the military during WWII and they were among the most decorated soldiers of that war.

FIGHTING FOR HONOR

"a vivid account of their heroic combat experiences...well organized...Cooper's awarness of the power of understatement permeates the book, rendering the facts all the more powerful."
Horn Book Magazine, March/April 2001


REMEMBERING MANZANAR

"Drawing heavily on primary-source material, including archival and contemporary interviews with internees and excerpts from the Manzanar Free Press, the text allows the prisoners to speak for themselves. Archival photographs lavishly illustrate the narrative, and one of the volume’s greatest strength is the opening discussion of the many photographers who chronicled life in the camps, from Dorothea Lange, Ansel Adams, and others brought in by the government, to Toyo Miyatake, an internee who was allowed to compose and set up his photographs but who had to have a camp staff person press the shutter." Kirkus Reviews

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